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To write like a woman : [electronic resource] essays in feminism and science fiction / Joanna Russ.

By: Material type: TextTextPublication details: Bloomington : Indiana University Press, c1995.Description: xvi, 181 p. ; 24 cmISBN:
  • 0253329140 (cloth : alk. paper)
  • 9780253329141 (cloth : alk. paper)
  • 0253209838 (pbk. : alk. paper)
  • 9780253209832 (pbk. : alk. paper)
Subject(s): Additional physical formats: Online version:: To write like a woman.DDC classification:
  • 810.9/9287 20
LOC classification:
  • PS147 .R87 1995
Online resources: Available additional physical forms:
  • Also issued online.
Contents:
pt. 1. Towards an aesthetic of science fiction -- Speculations: the subjunctivity of science fiction -- SF and technology as mystification -- Amor vincit foeminam: the battle of the sexes in science fiction -- On the fascination of horror stories, including Lovecraft's -- A boy and his dog: the final solution -- pt. 2. What can a heroine do? or why women can't write -- Somebody's trying to kill me and I think its my husband: the modern Gothic -- On Mary Wollstonecraft Shelley -- Recent feminists Utopias --- To write"like a woman": transformations of identity in the work of Willa Cather -- On "The yellow wallpaper" -- Is "Smashing" erotic? -- Letter to Susan Koppelman.
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Includes bibliographical references and index.

pt. 1. Towards an aesthetic of science fiction -- Speculations: the subjunctivity of science fiction -- SF and technology as mystification -- Amor vincit foeminam: the battle of the sexes in science fiction -- On the fascination of horror stories, including Lovecraft's -- A boy and his dog: the final solution -- pt. 2. What can a heroine do? or why women can't write -- Somebody's trying to kill me and I think its my husband: the modern Gothic -- On Mary Wollstonecraft Shelley -- Recent feminists Utopias --- To write"like a woman": transformations of identity in the work of Willa Cather -- On "The yellow wallpaper" -- Is "Smashing" erotic? -- Letter to Susan Koppelman.

Also issued online.

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