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Painting gender, constructing theory [electronic resource] : the Alfred Stieglitz Circle and American formalist aesthetics / Marcia Brennan.

By: Brennan, Marcia.
Material type: TextTextPublisher: Cambridge, Mass. : MIT Press, c2001Description: 1 online resource (xi, 377 p.) : ill. (some col.).ISBN: 9780262269254 (electronic bk.); 0262269252 (electronic bk.); 0585446598 (electronic bk.); 9780585446592 (electronic bk.).Subject(s): Stieglitz Circle (Group of artists) | Stieglitz, Alfred, 1864-1946 -- Aesthetics | Modernism (Art) -- United States | Gender identity in art | Stieglitz, Alfred, 1864-1946 | ART -- American -- General | Electronic booksGenre/Form: Electronic books. | Electronic books.Additional physical formats: Print version:: Painting gender, constructing theory.DDC classification: 709/.73/09042 Online resources: EBSCOhost
Contents:
Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.
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Includes bibliographical references (p. 272-369) and index.

Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.

Description based on print version record.

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Painting gender, constructing theory by Brennan, Marcia. ©2001
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