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Ezra Pound, Wyndham Lewis, and radical modernism [electronic resource] / Vincent Sherry.

By: Sherry, Vincent B.
Material type: TextTextPublisher: New York : Oxford University Press, c1993Description: 1 online resource (228 p.) : ill.ISBN: 1423764803 (electronic bk.); 9781423764809 (electronic bk.); 1601298951; 9781601298959; 9780195076936 (alk. paper); 0195076931 (alk. paper); 1280442565; 9781280442568.Subject(s): Pound, Ezra, 1885-1972 -- Criticism and interpretation | Lewis, Wyndham, 1882-1957 -- Criticism and interpretation | Modernism (Literature) -- Great Britain | Modernism (Literature) -- United States | Radicalism in literature | Fascism and literature | Pound, Ezra, 1885-1972 | Lewis, Wyndham, 1882-1957 | Modernism (Literature) | LITERARY CRITICISM -- American -- General | Letterkunde | Modernisme (cultuur) | Radicalisme | Fascisme | LiteratureGenre/Form: Electronic books.Additional physical formats: Print version:: Ezra Pound, Wyndham Lewis, and radical modernism.DDC classification: 810.9/358/0904 Online resources: EBSCOhost
Contents:
ILLUSTRATIONS; Prologue; 1 From the Continent to England, 1889-1925; Musical Empathy; Political Aesthetics; European Vortex; This Hulme Business; 2 Ezra Pound, 1908-1920; Negotiations; Early Cantos: Auditing the Tradition; Hugh Selwyn Mauberley; 3 Wyndham Lewis: L'Entre Deux Guerres; Untuning the Word; The Failure of Art; The Art of Failure; 4 Ezra Pound, 1921-1939; Resuming the Cantos: Eliot, Dada, Major Form; Making Friends with the Enemy; States of Excess; Epilogue; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y.
Summary: This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism.
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Includes index.

Includes bibliographical references (p. 197-221) and index.

ILLUSTRATIONS; Prologue; 1 From the Continent to England, 1889-1925; Musical Empathy; Political Aesthetics; European Vortex; This Hulme Business; 2 Ezra Pound, 1908-1920; Negotiations; Early Cantos: Auditing the Tradition; Hugh Selwyn Mauberley; 3 Wyndham Lewis: L'Entre Deux Guerres; Untuning the Word; The Failure of Art; The Art of Failure; 4 Ezra Pound, 1921-1939; Resuming the Cantos: Eliot, Dada, Major Form; Making Friends with the Enemy; States of Excess; Epilogue; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y.

This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism.

Description based on print version record.

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Ezra Pound, Wyndham Lewis, and radical modernism by Sherry, Vincent B. ©1993
Ezra Pound, Wyndham Lewis, and radical modernism by Sherry, Vincent B. ©1993
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