000			02166cam a2200493I 4500
001			filmformessaysin00eise
003			CaSfIA
005			20140120100956.0
007			cr||||
008			720612s1949 nyua b 000 0 eng
010			_a 49008349
040			_aDLC _cWSU _dOCL _dSER _dEYM _dOCLCG _dBBH _dHLS _dOUW _dBAKER _dYDXCP _dAU@ _dKIJ _dCaSfIA
019			_a878684 _a2518420 _a6435428 _a222835814
020			_a0156309203
020			_a9780156309202
035			_a(OCoLC)330034 _z(OCoLC)878684 _z(OCoLC)2518420 _z(OCoLC)6435428 _z(OCoLC)222835814
041	1		_aeng _hrus
050	0	0	_aPN1995 _b.E5
082		4	_a791.4
100	1		_aEisenstein, Sergei, _d1898-1948.
245	1	0	_aFilm form; _h[electronic resource] _bessays in film theory, _ced. and tr. by Jay Leyda.
250			_a[1st ed.]
260			_aNew York, _bHarcourt, Brace _c[1949]
300			_axi, 279 p. _billus. _c21 cm.
490	0		_aA harvest book, _vHB153
504			_a"Sources": p. 268-272.
505	0	0	_aIntroduction. -- Through theater to cinema. -- The unexpecte. -- The cinematographic principle and ideogram. -- A dialectic approach to film form. -- The filmic fourth dimension. -- Methods of montage. -- A course in treatment. -- Film language. -- Film form : New problems. -- The structure of the film. -- Achievement. -- Dickens, Griffith, and the film today. -- Appendix A.: A statement on the sound-film by Eisenstein, Pudovkin, and Alexandrov. -- Appendix B. : Notes from a director's laboratory
650		0	_aMotion pictures.
700	1		_aLeyda, Jay, _d1910-1988, _eed. and tr.
856	4	1	_uhttp://www.archive.org/details/filmformessaysin00eise _zFree eBook from the Internet Archive
856	4	2	_uhttp://www.openlibrary.org/books/OL6048620M _zAdditional information and access via Open Library
029	1		_aNZ1 _b3332187
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029	1		_aAU@ _b000028006566
029	1		_aNLGGC _b053145232
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029	1		_aUNITY _b028217047
029	1		_aUKLON _b0156309203
029	1		_aNLGGC _b045608563
942			_cEB
999			_c220629 _d220629